Works
Work 01
My Own Sun
Work 02
RELEASE
Work 03
Robot arm Laser
Work 04
3Dowon's Workdesk
Introduction
A large-scale video installation reconstructing a record of light in an archival format.
Work 05
Balloon Pop
Work 06
Hyundai The new IONIQ6
Work 07
Lucky Flip
Work 08
POSTCODE
Work 09
50/50 VISION
Introduction
An interactive exhibition exploring the boundary between machine and organism.
Work 10
Aspect Ratio
Introduction
An installation where light and sound resonate together. Responding to the audience's movement, a soundscape and pattern of light shift in real time.
The work began as a reinterpretation of a room containing a familiar instrument: a piano. Sound emerges without anyone touching a key, and the moment a person simply approaches, the entire space begins to respond as though it were itself an instrument. The audience is no longer a performer but becomes a body that plays the space itself.
The room contains twelve infrared proximity sensors and a six-channel spatial audio system. Each sensor collects data in real time through an Arduino-based microcontroller. The resulting distance and velocity data is transmitted via serial communication to Unreal Engine, which simultaneously drives the projection-mapped light patterns and the volume and panning of the multichannel sound.
The most technically demanding part of the project was minimizing latency. Even a slight mismatch between the audience's movement and the light or sound response is enough to instantly break the sense that the space is truly responding to them. To address this, the sensor polling interval was tuned to under 20ms, and inside Unreal Engine the audio and visual pipelines were separated onto distinct threads so that the sound response would never stutter even if a frame was dropped.
One of the most memorable moments during the exhibition period was watching how children engaged with the space. Adult visitors tended to approach cautiously, trying to understand the rules of the space, while children would immediately run through it, testing its responses with their whole bodies. This produced unexpected combinations of sound and overlapping light that gave the impression the work kept being rewritten even after its completion.
In the spatial audio design, the goal went beyond simply reproducing the location of a sound — the length and density of the reverb were designed to change according to the audience's path through the room. Near the center of the room, sound spreads wider and lingers longer; closer to the walls, it becomes narrower and drier. This was built by referencing the acoustic characteristics of an actual room containing a piano and reconstructing them within a digital environment.
The light patterns move between three broad states: in a static state, only a faint, breathing-like change in brightness exists; once a single visitor is detected, concentric waves ripple outward centered on that person; and when multiple visitors are detected simultaneously, their individual waves interfere with one another to create unpredictable patterns. This interference pattern is not a pre-made animation but is generated differently in real time at every moment.
The question I returned to most while preparing this work was how to make the technology invisible. Sensors, projectors, and speakers physically exist throughout the space, but the instant a visitor becomes aware of these devices, the experience the work offers collapses into an explainable mechanism. For that reason, all hardware was concealed as much as possible within the walls and ceiling, and the wiring was embedded beneath the floor finish so it would disappear entirely from view.
In the end, this piece is less a finished, singular result than a score that keeps being rewritten for as long as an audience remains in the space. The same room produces an entirely different combination of sound and light depending on who is moving, how many people, and at what speed — and I plan to extend this into variant installations in other spaces in the future.
Work 11
At the moment
Introduction
An exhibition project exploring the temporal layers of a city through interactive mapping.
Work 12
Aura of Heart
Introduction
A generative installation in which plant forms produced by a neural network grow and dissolve within the space.
Work 13
Botanic Brush
Work 14
Dear Actor
Introduction
An installation combining spatial audio and projection. The experience was designed so that the density of sound and texture of light shift depending on the audience's position.
Responsibilities
Developed spatial audio patches in Max/MSP
Integrated visuals in TouchDesigner
Set up the installation and demonstration environment
Work 15
FlipFlop
Work 16
Inside the Summer
Introduction
A media art curation project that presents environmental data in a circular structure. Multiple channels of video loop together to form a single spatial narrative.
Responsibilities
Built a multi-channel video scheduling system
Developed a Unity-based playback and sync environment
Collaborated on sound and video placement in the exhibition space
Work 17
lens
Work 18
Motion Blur
Introduction
A large-scale video installation visualizing the rhythm of data and tides. Real-time ocean data is transformed into the shape of waves.
Work 19
Scatty Dragger
Introduction
An interactive media installation for a brand launch event. Grid-shaped lighting and sensor input combine so the space responds to audience participation.
Responsibilities
Developed an Arduino-based sensor and lighting control system
Programmed the DMX lighting sequence
Handled on-site installation and interaction testing
Work 20
Shipping Time
Work 21
Sight
Work 22
The Focus of Sunset
Introduction
A live performance in which the rhythm of breath maps the entire space.
Work 23
The Forest
Introduction
A generative projection installation in which real-time data blooms into the form of a flower.
Work 24
The Piano Room
Introduction
A performance work that converts a performer's biometric signals into visual and auditory elements in real time. Changes in heartbeat and breath expand into light and sound.
Responsibilities
Developed an ESP32 bio-sensor interface
Built real-time audio visualization in Max/MSP
Collaborated on performance direction and rehearsals
Work 25
Volcandy
Introduction
An immersive projection in which abstract video based on terrain data covers the entire floor.
Work 26
Weaving a plots
Work 27
Arte Kids park
Introduction
Live Sketchbook at Arte Kids Park brings visitors’ drawings into a shared digital environment. A character coloured on paper appears on the media wall. My work connected image processing, character movement and spatial visuals to support this experience.
Responsibilities
Developed webcam image capture, storage and transfer, with OpenCV processing to generate character textures.
Built levels and shaders using 3D assets provided by the design team.
Developed character paths, population tests and day-to-night transitions.
Tested multi-projector output, synchronisation, blending and mapping.
Building the environment
From drawing to character
Adapting to the output setup
Work 28
CAFE DIOR SEONGSU
Introduction
A projection installation visualizing the slow flow of time through the speed of a circuit.
Work 29
Beyond Imagination
Introduction
A large-scale projection media-wall project installed in a brand exhibition space. Spectral light crosses the space, and the visual rhythm shifts along the viewing path.
Responsibilities
Built the video pipeline in TouchDesigner
Integrated DMX lighting and designed the sequence
Handled on-site projection mapping and setup
Work 30
Current
Introduction
An interactive installation visualizing the flow of electrical signals as a circuit of light.
Work 31
Pop-Up Storybook
Introduction
An interactive installation translating an invisible frequency band into light.
Work 32
ㅈㅜㅇㅅㅓㅂ
Work 33
Apple Cook
Introduction
An interactive video in which an algorithmically generated landscape shifts in response to audience input.
Work 34
Back To the master
Introduction
An echoing installation in which the audience's footsteps resounding through an empty space return as visual patterns.
Work 35
May your day Shine Bright
Introduction
A performance where mirror and video overlap, reflecting the audience's movement in real time.
Work 36
NATURE
No work matches these filters.